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June 3 - 23, 2021
Lots of new job listings and upcoming auditions in the newsletter today! And some great LIVE in person theatre coming up! Perhaps I'll see you at a show soon.
The next issue will include events from June 10 through 30. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at pioneervalleytheatre@gmail.com
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June 19 Serious Play presents:
Unique Live Sound & Music Opportunity with Composer/ Musician Jonny Rodgers
Email if you are interested and see listings for details
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YOUR EVENT HERE
$5 per week for your poster and ticket link in top billing!
Email me to reserve your dates.
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THIS WEEK IN THEATRE NEWS:
from Howlround
Post-Apocalyptic Theatre on Native Land
by Vera Starbard
From the article:
In the Tlingit culture, there is a philosophy that everything has its time. When a totem pole decays you do not expend a lot of effort restoring and putting it back up; you let it fall, and it goes back to the earth it came from. A person’s legacy is only as old as the memory their grandchildren have of them; if a person has done good work, the grandchildren will take what the person gave them and grow it, but the elder’s responsibility to this earth is done.
Have you read an interesting article about theatre recently? Send it to me! pioneervalleytheatre@gmail.com
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The Re/Emergence Collective presents
Re/Emergence
June 11-13, June 18-20 with staggered start times: 6:00pm, 6:50pm, 7:40pm each night
Park Hill Orchard, Easthampton, MA
RE/EMERGENCE is a post-apocalyptic performance that examines grief, initiation, envisioning, and healing as a community after a year of unprecedented upheaval. Looking to nature and its transformative powers, RE/EMERGENCE invites audiences to reflect, meditate, and nurture a new vision of the future.
Tickets
RE/EMERGENCE was created by the Re/Emergence Collective, a group of theater-makers and frequent collaborators mostly basesd in the Pioneer Valley who gathered in artistic community over the past year to devise this performance. We processed the many challenges of the year’s events through implementing more collective ways of artmaking rather than the traditional hierarchical theater model in order to practice the kind of inclusive theater that we hope to see more of in the future.
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