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June 10 - 30, 2021
Check out all the workshops in the newsletter this week! And maybe pick one you'd like to register to attend.
Zoom theatre may be slowing coming to an end. Chris Rohmann offers a wrap up of his Zoom theatre experiences over the last year. Take a look in the Advocate here.
The next issue will include events from June 17 through 7. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at pioneervalleytheatre@gmail.com
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June 19 Serious Play presents:
Unique Live Sound & Music Opportunity with Composer/ Musician Jonny Rodgers
Email if you are interested and see listings for details
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YOUR EVENT HERE
$5 per week for your poster and ticket link in top billing!
Email me to reserve your dates.
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THIS WEEK IN THEATRE NEWS:
from Howlround
Pandemic Dreams
by Jonathan Mandell
From the article:
Masked and socially distanced, I entered through the dressing room, past a curtain, and into the theatre. But it was a mock dressing room, with cracked walls and tarnished mirrors, and a toy theatre built into a wall, with tiny seats, all empty, lit dimly by a ghost light.
Have you read an interesting article about theatre recently? Send it to me! pioneervalleytheatre@gmail.com
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The Re/Emergence Collective presents
Re/Emergence
June 11-13, June 18-20 with staggered start times: 6:00pm, 6:50pm, 7:40pm each night
Park Hill Orchard, Easthampton, MA
RE/EMERGENCE is a post-apocalyptic performance that examines grief, initiation, envisioning, and healing as a community after a year of unprecedented upheaval. Looking to nature and its transformative powers, RE/EMERGENCE invites audiences to reflect, meditate, and nurture a new vision of the future.
Tickets
RE/EMERGENCE was created by the Re/Emergence Collective, a group of theater-makers and frequent collaborators mostly basesd in the Pioneer Valley who gathered in artistic community over the past year to devise this performance. We processed the many challenges of the year’s events through implementing more collective ways of artmaking rather than the traditional hierarchical theater model in order to practice the kind of inclusive theater that we hope to see more of in the future.
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