by Mary Amanda McNeil, Samora Pinderhughs, Storme Webber
From the article:
Samora Pinderhughs, Storme Webber, and Mary Amanda McNeil consider the ways that kinship and solidarity across broader collectives can coexist and mutually enrich one another through intentional practice; as they parse these connections, they identify the ways that solidarity, kinship, and restoring the past are intertwined in their lived experiences and work. Samora Pinderhughs is a musician, multidisciplinary artist, abolitionist, and the creator of The Healing Project. An enrolled member pf the Mashpee Wampanoag Tribe, Mary Amanda McNeil is an assistant professor in the Department of Studies in Race, Colonialism, and Diaspora at Tufts University. Storme Webber is a two-spirit Sugpiaq/Black poet and interdisciplinary artist whose work incorporates text, performance, altar, and altar installation— among other genres and media— to engage with liminal identities, survivance, and decolonization. This conversation is a contribution to the Black and Indigenous Futures series, which reflects on Black and Indigenous shared leadership, solidarity, kinship, identity, and artistic practice.
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