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February 10 - March 2, 2022
This weekend - check out Piti Theatre's co-production with Ko Festival of Performance "Canary in a Gold Mine" - be sure to buy a little in advance so they can safely get you the link to the live virtual event.
The next issue will include events from February 17 - March 9. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at pioneervalleytheatre@gmail.com
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YOUR EVENT HERE
$5 per week for your poster and ticket link in top billing!
Email me to reserve your dates.
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THIS WEEK IN THEATRE NEWS:
from Howlround
Audience Behavior in the West and Africa
by Misheck Mzumara
From the article:
There has been little research and discussion of the behavior of theatregoing audiences in different parts of the world. I feel it is an important area that makers of theatre as well as performers involved in cross-cultural theatre collaborations need to pay attention to. Misunderstanding audience behavior can confuse performers and directors to a considerable degree.
Have you read an interesting article about theatre recently? Send it to me! pioneervalleytheatre@gmail.com
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Happier Valley Comedy
HVC's Fun Fridays: Storytelling Standup Showcase
February 18 at 7:00 PM
Happier Valley Comedy's Next Door Lounge (1 Mill Valley Rd, Hadley, MA)
Watch Happier Valley Comedy talent try out their latest material, laugh together, raise a glass, and support up-and-coming standup comedians. Doors open at 5:30. Showcase starts at 7pm.
More info and tickets.
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Ja’Duke Theater presents "Nunsense" The Musical
2/19/21 at 7pm, 2/20/21 @ 2pm, 2/25 & 2/26/22 @ 7pm, and 2/27/22 @ 2pm
Ja'Duke Theater
Ja’Duke Theater is proud to present Nunsense, this year’s first Ja’Duke musical of the highly anticipated Ja’Duke 25th Anniversary Season. Nunsense is directed by Ja’Duke's founder Nick Wanyelovich with choreography by Eula Sagan. Nunsense will be presented in the brand new, state of the art, Ja’Duke Theater!
Nunsense is a hilarious spoof about the misadventures of five nuns trying to manage a fundraiser with a supporting cast of 20 nuns, the Little Sisters of Hoboken. Sadly, the rest of the sisterhood died from botulism after eating vichyssoise prepared by Sister Julia Child of God. Thus, the remaining nuns – ballet-loving Sister Leo (Jenna DiDonato), street-wise Sister Robert Anne (Samantha Myburgh), befuddled Sister Mary Amnesia (Rachel Howe), the Mother Superior Sister Regina (Judith Dean Kulp), and mistress of the novices Sister Mary Hubert (Juniper Holmes) and the Little Sisters of Hoboken – stage a talent show in order to raise the money to bury their dearly departed.
Ja’Duke Theater is continuing its quest to bring laughter and joy into people's lives during these trying times. With catchy songs and irreverent comedy, Nunsense is sure to keep audiences rolling with laughter and wanting more. After all, Nunsense is Habit Forming!
For more information, and to purchase tickets, visit JaDukeTheater.com.
Admission:
General Admission (Adult) - $15
Children (12 and under) - $12
Senior Citizen (65 and over) - $12
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Witch
by Jen Silverman
Directed by Rudy Ramirez
Feb. 25, March 3, 4, 5 at 7:30 p.m., Feb. 26 at 2 p.m
In the Rand Theater, located in the Randolph W. Bromery Center for the Arts at UMass
Tickets sold through the Fine Arts Center Box Office and at the door.
Prices: $15 general admission, $5 youth, students, and seniors
Content Advisory: Strong language, violence, and blood
Would you dance with the Devil?UMass Theater's Witch examines the cost of our choices and the value of hanging on to hope. |
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When the Devil strolls into the town of Edmonton to bargain for people's souls, he figures that Elizabeth Sawyer, an accused witch, will be an easy mark. Turns out, he's wrong — while others in town are practically lining up to make bargains galore, she resists.
Find out what happens next when UMass Theater presents Jen Silverman's topical-and-funny play, Witch, directed by directing graduate student Rudy Ramirez in the Rand Theater Feb. 25-March 5.
“Witch captures several of the big existential questions we’ve been grappling with throughout the events of the pandemic with heart and tons of humor, empowering us to face our own devils — and perhaps even to laugh at them,” said dramaturgy graduate student Percy Hornak, who is the play's dramaturg.
Inspired by a Jacobean play that was in turn inspired by real events, UMass Theater's production of Witch filters the story through a funhouse lens — watch for a surreal set complete with working drawbridge and props that accentuate the humor in Silverman's writing — that invites current audiences to see how the themes of the tale overlap with concerns in our own world.
Why do the characters in Witch even consider a dance with the Devil?
As Hornak encapsulates it, there are some big questions being asked: "The notion of 'burn it all down': The play is asking us to think about what that means, and what it would cost for us to do that. What would you give up for things to be better?"
Inextricably linked to these questions are themes of power, agency, and above all, hope. Why think about what it would take to create a better future, without hope? Witch invites audiences to come up with their answer while they watch.
Get your tickets today!
Tickets can be purchased through the Fine Arts Center Box Office (click here to go directly to our events) or at the door before each performance. |
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Exit Seven Players Ltd.
The Curious Incident of the Dog in the Night-Time
March 11, 12, 18, 19 @ 8pm and March 12, 20 2pm
Exit Seven Players Theater, 37 Chestnut Street, Ludlow, MA
Originally produced in London and on Broadway, the stage version of the best-selling novel by Mark Haddon won the 2015 Tony Award for Best Play.
“This adaptation by the acclaimed playwright Simon Stephens is intensely, innately theatrical; it is also funny and extremely moving…resonates with quality.” —Telegraph (London). “…just terrific…a profoundly moving play about adolescence, fractured families, mathematics, colours and lights…dazzling.” —Independent (London). “A beautiful, eloquent, dazzlingly inventive show about the wonders of life.” —Evening Standard (London).
Curious Incident follows a critical period in the life of fifteen-year-old Christopher, a young man with an extraordinary brain. He is exceptional at math but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, detests being touched, and distrusts strangers. Now it is seven minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a “garden fork” (British for pitchfork, as the story is set in England.) Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his life.
Through creative lighting and sound, clever staging and a versatile ensemble, Curious Incident invites the audience to embark upon a journey to understand the point of view of its unusual narrator and his completely unique way of interacting with the world. At times both comedic and heart-wrenching, Curious Incident is a timely examination of our assumptions about “normality” and neurodiversity.
Directed by Michael O. Budnick, Produced by Jami Wilson and Christine Greene
http://exit7players.org
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New Play Reading Series
Is This How It Ends? by Lyza Fennell 'AC
Directed by Cate Boram 'AC
Thursday, February 10 at 7:30 p.m.
Virtual Event - Register Here.
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Ko Festival of Performance presents
Piti Theatre Company's
Canary in a Gold Mine
Written/performed by Jonathan Mirin
Directed by Deanna Fleysher
Sound Design & Stream Engineering by M Florian Staab
Videography by Brendan Leowolf & Hannah Brookman
ONLINE: FEBRUARY 11-13 | Fri. & Sat at 7:30pm, EST | Sun. at 3pm, EST
For tickets & more info visit https://kofest.com/.../piti-theatres-canary-in-a-gold-mine/
Live, online post-show discussions with collaborators & guest experts follow each online performance.
Locked down during COVID and desperate to make theatre, Piti Theatre’s Jonathan Mirin turns the camera on . . . himself, telling the story of the mysterious symptoms his life and production partner, Swiss choreographer/designer Godeliève Richard began experiencing in 2010. Increasingly unable to leave the house and take care of their new baby, the couple contends with the growing likelihood that her illness is environmental – and inescapable. Richard‘s severe neurological symptoms are triggered by exposure to EMFs, the wireless radiation that the rest of society is passionately embracing to connect phones, devices and upload cat videos. As her electro-hypersensitivity (a.k.a. “microwave sickness”) worsens, Mirin finds himself compelled to become a public health advocate, activist and petitioner in a landmark legal case against the FCC. The result: a show that’s a 21st century love letter as well as a wakeup call to the risks of 24/7 wireless exposure.
"Canary in a Goldmine" is highly entertaining. As Mirin puts it, “It’s just like theatre…only flatter,” turning what could be an earnest public health lecture into a compelling dive into the opposing forces of corporate profit vs. public safety.
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From New England New Play Alliance:
Virtual Theater
PITI Theatre Company presents
Canary in a Gold Mine
by Jonathan Mirin
February 11-13
directed by Deanna Fleysher
Locked down during COVID and desperate to make theatre, Piti Theatre’s Jonathan Mirin turns the camera on . . . himself, telling the story of the mysterious symptoms his life and production partner Godeliève began experiencing a decade ago. Increasingly unable to leave the house and take care of their new baby, the couple contends with the growing likelihood that her illness is environmental – and inescapable. Godeliève’s severe neurological symptoms are triggered by exposure to the wireless radiation that the rest of society is passionately embracing to connect devices and upload cat videos. Tickets: $11-$32.
Fresh Ink Theatre Company presents
Shrike
by Erin Lerch
Feb. 4-25
directed by Josh Glenn-Kayden
When the Alien Legion came, Sheena lost everything. All she has left is one final, unlikely dream: the Rebellion. But when she arrives, it’s to a Rebellion shattered by the loss of its leader, pushed to increasingly desperate measures – including working with their alien enemy. As tensions mount, Sheena has to face the question: when you have nothing left, what do you fight for? Tickets: pay what you can.
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Winter PIC Art Salon:
Join PIC for an evening of brand new works in progress, and get a behind the scenes look into our collaborative process. On Monday February 21, we’ll gather from 7:30-9:30 pm to hear excerpts of new work by Nicole Orabona, Elliot Lazar, Stephan Fruchtman, and Tanner Tanner, followed by a curated feedback session with the presenting artists. This is a great opportunity to not only see our development process in action, but engage in conversation with PIC artists and serve as the first audience for new works.
Plus you're invited to participate in the open mic where anyone is welcome to present original works of 5 minutes or less.
Reserve Your Ticket Now
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RLT presents our first original audioplay, Far Reaches.
One Raft Person. One Witness. One world covered in endless ocean.
What do we remember? What does it mean to survive, and what is survival worth? Two people from radically different backgrounds reach towards friendship and understanding, following memories and stories as they seek some kind of truth.
Written & Directed by Ellen Morbyrne
Production Managed by Syl Simmons
Sound Design/Recording/Editing by Rachel Hall
Theme Song by Cynthia Zaitz, PhD
Performed by Trenda Loftin as the Witness and Linda Tardif as the Raft Person.
Streaming now, free of charge, on our website, BandCamp, and YouTube.
This program is supported by grants from the Amherst, Burlington, Greenfield, Hadley, Holyoke, South Hadley, and Springfield Cultural Councils, local agencies which are supported by the Mass Cultural Council, a state agency.
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