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May 6 - 26, 2021
There are a couple new audition and other opportunities in the newsletter this week - make sure you scroll all the way down or open the email in a browser to make sure you see everything!
Check out the recent issue of the Valley Advocate for a peek into some upcoming live theatre performances this summer.
The next issue will include events from May 13 through June 2. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at pioneervalleytheatre@gmail.com
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YOUR EVENT HERE
$5 per week for your poster and ticket link in top billing!
Email me to reserve your dates.
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THIS WEEK IN THEATRE NEWS:
from Howlround
Speculating Black Queer Futures
by JD Stokely and Nkenna Akunna
From the article:
Nkenna Akunna: I read the first chapter of Christina Sharpe’s In the Wake yesterday, a book that interrogates how white supremacy and chattel slavery have produced a climate for anti-Black violence and gratuitous Black death. I had to fall asleep. It was too much. I feel like my body was recognizing that everything Black people are doing, all the ways we are existing, is not necessarily living. It’s all in the wake of death, in the space left behind by so many legacies that wanted to, and still want to, kill us.
Have you read an interesting article about theatre recently? Send it to me! pioneervalleytheatre@gmail.com
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From the New England New Play Alliance:
Virtual Theatre
and Audio Plays
The Huntington Theatre presents
Best Day Ever
by Jacqui Parker
directed by
Summer L. Williams
Sisters Kenya and Kadesia navigate the "Karens" of the world as they drive to Nantasket Beach to celebrate their shared birthday on July 28, 2024. Steam now: free.
A Revolutionary Encounter in London explores the largely unknown meeting of enslaved, African-American poet Phillis Wheatley and American Founding Father Benjamin Franklin. It took place in London in 1773, when Ms. Wheatley was there to promote her book, Poems of Various Subjects, Religious and Moral. Despite seeming to be polar opposites, they had much in common and shared many interests. Tickets: free, suggested donation, registration required.
The Huntington Theatre presents
The Black Beans Project
by Melinda Lopez and Joel Perez
May 11-30
directed by Jaime CastaƱeda
Mariana and Henry meet virtually to share a secret family recipe that forces them to reveal secrets of their own. The siblings transform pandemic panic to renewal in this tender comedy about family, food, and finding the strength to move on. Tickets: pay what you can.
The Wilbury Theatre Group presents
Whose Name Was Writ in Water
by Becci Davis
now-May 15
Becci Davis' Whose Name Was Writ in Water features dual narratives woven together: the interrogation of history through an imagined conversation with the artist’s enslaved 4th great-grandmother and a rite of passage for her teenage son. Water serves as the device that connects them through time and space. Presented as a 360° Virtual Experience using technology by New York-based virtual event production company Musae, audience members will be able to view the production on their phones, tablets, or computers, or may elect to receive a VR headset with their ticket purchase. Tickets: pay what you can, $5-$100.
Boston Theater Marathon XXIII: Special Zoom Edition features 10-minute plays by New England playwrights in collaboration with New England theatres. Audiences are encouraged to lend their support to area theatre companies and to the Theatre Community Benevolent Fund, which provides financial support to theatres and theatre artists in need. The productions begin at noon each day, with the exception of Sundays. A question-and-answer session follows each play. This week's plays:
Home for the Holiday
by Karla M. Sorenson
May 4
sponsored by Boston Open Theatre Project
Ariadne Unbound
by Tofer Carlson
May 5
sponsored by Moonbox Productions
Where the Fireworks Come From
by Michael Pisaturo
May 6
sponsored by SpeakEasy Stage Company
Ipswich
by Sophie McIntosh
May 7
sponsored by Fort Point Theatre Channel
Monster Mother-in-Law
by Marisa Smith
May 8
sponsored by Hovey Players
Something I Know To Be True…
by Alexa Derman
May 10
sponsored by Theatre on Fire
178 Ludlow Street
by Cayenne Douglass
May 11
sponsored by Sleeping Weazel
Tickets: free, click "purchase
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Spring Studio Productions: Shapes and Stanzas by Ken Preuss
Tuesday, May 11, 7:30 p.m., Virtual Event through May 15
The Smith College Department of Theatre presents Shapes and Stanzas by Ken Preuss as part of its 2021 Spring Studio Productions directed by Madison VanDeurzen. In the play, friends meet three times across 60 years, exploring poetry, geometry, romance, and other complicated things. The Smith Studio Productions feature student directed one-acts. This year’s productions will be recorded and premiering online. To register for the free, virtual event: springstudios.eventbrite.com
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Spring Studio Productions: Blackademics by Idris Goodwin
Wednesday, May 12, 7:30 PM Virtual Event - May 14
The Smith College Department of Theatre presents Blackademics by Idris Goodwin as part of its 2021 Spring Studio Productions directed by Cate Boram. Blackademics is a sharp, surreal satire about navigating academia as Black women and about who gets a place at the table. Smith Studio Productions feature student directed one-acts. This year’s productions will be recorded and premiering online. To register for the free, virtual event: springstudios.eventbrite.com
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Spring Studio Productions: A Number by Caryl Churchill
Thursday, May 13, 7:30 PM Virtual Event - through May 15
The Smith College Department of Theatre presents A Number by Caryl Churchill as part of its 2021 Spring Studio Productions directed by Fiona King. Bernard learns that he’s a clone and his father knew all along. Smith Studio Productions feature student directed one-acts. This year’s productions will be recorded and premiering online. To register for the free, virtual event: springstudios.eventbrite.com
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SILVERTHORNE THEATER COMPANY PRESENTS READING OF NORTHAMPTON PLAYWRIGHT JAMES McLINDON’S WHEN WE GET GOOD AGAIN
Silverthorne Theater is proud to present the 2021 iteration of our Theater Thursdays play reading series, beginning on May 13, with When We Get Good Again by Northampton playwright James McLindon, directed by Mark Dean. This free event will be available to watch starting at 7:30 p.m. on the Silverthorne Theater Company YouTube channel. Following the reading, audience members are invited to attend a live Zoom discussion with the playwright, director and cast members. The links to the reading and the post-show discussion will be posted on the Silverthorne website at https://silverthornetheater.org/play-reading-series/
When We Get Good Again Description
“… Tracy can’t wait to graduate and leave the rich kids at her prestigious school in her rear view mirror. In fact, she’s planning on graduating in three years, and only partly because that’s all the college she can afford. But there’s one problem: Tracy needs to keep her 4.0 GPA intact to get into a top law school to have even a chance of getting one of the few public interest jobs available to represent the poor. And the only way she can get all her work done by the end of the semester while holding down two work-study jobs is to take a short vacation from her ethics and buy a term paper from Hire Education. … When We Get Good Again is a play about integrity, excuses, and doing the right thing ... as soon as you can figure out exactly what that is.”
James McLindon is a member of the Nylon Fusion Theater Co. in New York. When We Get Good Again won the Playhouse on the Square’s New Works @ The Works competition and premiered there in Memphis this past January, winning an Ostrander Theatre Award for Best Original Script. His short piece Choices was one of the top plays in Silverthorne’s Short & Sweet Festival of (tiny) New Plays presented online in mid-February this year. In 2020, his full-length play, Distant Music, was streamed as the third in STC’s Theater Thursdays series.
The cast of When We Get Good Again includes Jen Campbell (Holyoke), Michael Garcia (Bondsville), Kevin Tracy (Holyoke) and Alexandra O’Halloran (NYC). Director Mark Dean (Northampton) is well known in Valley theater circles with his work as actor and director at the Majestic Theater in West Springfield, New Century Theatre, and lately for Silverthorne Theater. Campbell, Garcia and Tracy were recently seen in STC’s live Zoom production of The Waiting Room.
Silverthorne’s Theater Thursdays play readings program was launched in 2019 as a series of free rehearsed readings of new (or new to us) plays, followed by audience discussions. The purpose of the readings is to give a platform for new work to be heard, and when possible, to be able to give playwrights direct audience feedback. It also provides Silverthorne a look at plays that we might consider fully producing in future seasons. This year’s 2021 series is supported in part by a grant from the Greenfield, Bernardston, Buckland, Conway, Deerfield, Northfield, and Shelburne Cultural Councils, local agencies which are supported by the Mass Cultural Council, a state agency.
For questions and further information, please contact us at silverthornetheater@gmail.com,
call 413-768-7514, or visit https://silverthornetheater.org/play-reading-series.
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I MET GOD (AND THE DEVIL) IN AN UBER by Daniel RendĆ³n ‘21
Directed by Ron Bashford
Senior Honors Project in Playwriting & Acting for Daniel RendĆ³n
Release date: May 14, 2021
The Amherst College Theater & Dance Department is proud to present I Met God (and the Devil) in an Uber, an original drama by Daniel RendĆ³n ‘21, directed by Ron Bashford, with scenic design by graduate design assistant Lauren Thompson ‘19, costume design by Lorelei Dietz ‘20, lighting design by resident lighting designer Kathy Couch and sound design by Julian Brown ‘23.
How much pain and suffering can we take as human beings before we reach the end of the line? What is the price of being good? What is the price of being bad? In Daniel Rendon’s new play, Santiago, a down-on-his-luck Uber driver, is pushed to find the answers, but will he?
Due to the COVID-19 pandemic, RendĆ³n’s play was adapted into a teleplay. “Because of COVD, we decided last summer to re-work Dan’s play script into a teleplay. Seven student actors, working both remotely and in-person in a controlled environment, have been introduced to acting for the camera through this process. It’s been a wonderful adventure transforming our theater stage into a TV studio and learning how to shoot with remote participants. Hats off to the resourcefulness of all of the students involved, especially our wonderful in-person student crew,” said faculty director, Ron Bashford.
I Met God (and the Devil) in an Uber will be released for streaming on May 14, 2021. For more information, visit https://www.amherst.edu/go/performance.
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