Lot of live performances coming up - it's looking like a nearly normal October full of shows. Virtual performances seem to be fading away - but et me know if you know of any coming up soon.
The next issue will include events from September 30 - October 20. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at email@example.com
Rose Kim: And I was just like, "Dude, this department is doing nothing that really is speaking to our generation, that's why no one's here." And they can go off and say, "Well, these are general tickets for a general audience." And it's like, "There's nothing general about this audience. This is a very, very specific audience." And I really encourage all theatres and all producing artistic directors and associates to really look at who's in your house, who's here. You have to face the music that those are the people, whether you intentionally are or not, you're inviting them.
Have you read an interesting article about theatre recently? Send it to me! firstname.lastname@example.org
MAJESTIC THEATER LAUNCHES 24TH SEASONS WITH THE MARVELOUS WONDERETTES: DREAM ON SEPTEMBER 9 – OCTOBER 17
The Marvelous Wonderettes: Dream On will kick off the Majestic Theater’s 24th season of plays on September 9 at the West Springfield venue. The musical, written and created by Roger Bean, will run through October 17.
A sequel to The Marvelous Wonderettes, which the Majestic staged just over two years ago, the first act focuses on the Wonderettes, a female singing quartet, who have returned to Rockville High School to throw a retirement party for a favorite teacher in 1969. The second act, set in 1978, celebrates the 20-year reunion of the ladies’ graduating class, and their performance for that event. Some of the 60’s and 70’s most famous pop songs like “Gimme Some Lovin’,” “Downtown,” “Build Me Up, Buttercup,” “Love Will Keep Us Together” and “I’ve Got the Music in Me” are featured.
The Wonderettes are played by Kaytlyn Vandeloecht (Cindy Lou), Kait Rankins (Missy), Mollie Posnick (Suzy) and Tina Sparkle (Betty Jean). Danny Eaton is the producing director, music director is Mitch Chakour, and the set design is by Greg Trochlil. Costume designer is Dawn McKay and lighting designer is Dan Rist. Stephen Petit is production manager, and Aurora Ferraro is associate production manager.
Irma Vep Haunts the House – Hilariously Silverthorne Theater Announces Its First Season Show
Silverthorne Theater Company’s first production for the 2021-22 Season will be Charles Ludlum’s uproarious two-hander The Mystery of Irma Vep, opening October 1 and running through October 16 in The Perch at the Hawks & Reed Performing Arts Center, Greenfield.
Veteran actors Sam Samuels and Noah Tuleja star in this spoof of Gothic melodramas and vintage horror movies. It’s a madcap quick-change marathon in which the two actors play all the roles: the lord and lady of the manor, the starchy maid with a bloody secret, the groundskeeper with an even bloodier one – plus a werewolf, a vampire, an ancient mummy and a lingering ghost. Chris Rohmann directs this non-stop delight.
Tickets for The Mystery of Irma Vep are on sale now through Eventbrite. The Silverthorne web site has full details. For more information, write to email@example.com or call 413-768-7514. Group rates are available. This play is suitable for children age 10 and up.
Patrons should note our venue requires that they must be able to show proof (a card or photo of card) that they are fully vaccinated against Covid. Masks are required for all patrons, regardless of vaccination status.
Set in the dismal halls of Mandacrest Manor in the English moors, Lord Edgar and his new bride Lady Enid try in vain to overcome the violent past and lurking terrors that haunt the house and its unhinged inhabitants. As the director points out, “Ludlam produced his masterpiece during the AIDS epidemic, when its mockery of creeping horror served as both escape and defiance. In our own fearful time, Irma Vep offers laughter and release with a welcome return to live theater.”
Valley theatergoers will remember Sam’s appearance as Orgon in Silverthorne’s premiere of the musical Tar2f! in 2018, also directed by Chris Rohmann. Locally he has performed often with New Century Theatre and with PanOpera, and has a number of film, commercial and off-Broadway credits. Noah has appeared locally in productions at the Majestic and New Century Theatre, and in Gloucester Stage and Boston’s Actors’ Shakespeare Project and Commonwealth Shakespeare Company productions. Christina Beam costumes this show; her creations were a high point in Silverthorne’s 2019 production of The Revolutionists. The show’s Stage Manager, Cate Boram, was Sound Engineer for this summer’s radio drama production of Foxfinder. Silverthorne’s Technical Director, John Iverson will design the sets, lighting and sound for the production.
The LAVA Center to host climate change-themed short play readings
Climate Change Theatre Action 2021 short play readings and discussion
Thursday evenings and midday Saturdays in October and November; see complete schedule below
The LAVA Center, 324 Main St., Greenfield, MA 01301
The LAVA Center is proud to present Climate Change Theatre Action 2021, a series of readings of climate change-themed short plays, open for all community members to participate in.
Founded in 2015, Climate Change Theatre Action is a worldwide series of readings and performances of short climate change plays presented biennially to coincide with the United Nations COP meetings. This is LAVA’s third time affiliating with CCTA.
Every other year, 50 professional playwrights, representing all inhabited continents as well as several cultures and Indigenous nations, are commissioned to write five-minute plays about an aspect of the climate crisis based on a prompt. This year’s prompt is “Green New Deal.”
The LAVA Center invites all community members, regardless of their theatrical experience, to join us in reading the plays. At each of the events, we will be reading four or five of the short plays, and then hosting a discussion of the issues raised in the plays.
The events will take place on Thursday evenings and midday Saturdays through October and November. The schedule is: Saturday, Oct. 2, 11:30 a.m.; Thursday, Oct. 7, 6 p.m.; Saturday, Oct. 9, 11:30 a.m.; Thursday, Oct. 14, 6 p.m.; Saturday, Oct 16, 11:30 a.m.; Thursday, Oct. 21, 6 p.m.; Saturday, Oct. 23, 11:30 a.m.; Thursday, Oct. 28, 6 p.m.; Thursday, Nov. 4, 6 p.m.; Thursday, Nov. 11, 6 p.m.; Saturday, Nov. 13, 11:30 a.m.; Thursday, Nov. 18, 6 p.m.; and Saturday, Nov. 20, 11:30 a.m.
This event is funded in part by Greening Greenfield, concerned citizens building a more resilient Greenfield by advancing sustainable practices.
TICKETS NOW ON SALE FOR WAM THEATRE’S KAMLOOPA
Presented live in the Berkshires October 7-24, 2021
Streaming digitally November 1-7, 2021
WAM Theatre is excited to present the US premiere of KAMLOOPA: AN INDIGENOUS MATRIARCH STORY by Kim Senklip Harvey, winner of Canada’s prestigious Governor General’s Award for English Language Drama, directed by Estefanía Fadul (WAM’s Native Gardens, The Oregon Trail). COVID safe live performances of this new comedy, will be presented at Shakespeare & Company’s Elayne P. Bernstein Theatre in Lenox, MA, from October 7-24. A digital streaming version of the production will also be available in the United States only from November 1-7. Tickets are on sale now.
“When I read KAMLOOPA, I got goosebumps and knew immediately that it was a play our WAMily would love,” exclaimed WAM Producing Artistic Director Kristen van Ginhoven. ”With its magical realism, its heart, its activism and its ceremony, KAMLOOPA is the perfect play to close out our 2021 season.”
Come along for the ride to KAMLOOPA, the largest powwow on the West Coast. This high energy comedy follows two urban Indigenous sisters and their encounter with a lawless trickster, as they explore what it means to honor who they are and where they come from. Follow their journey in this captivating, contemporary new play, as the courageous sisters turn to the ancestors for help to reclaim their power.
The play opens on Indigenous People’s Weekend, and in line with WAM’s philanthropic mission and accountability work, a portion of proceeds from KAMLOOPA will be donated to women and girls initiatives of the Cultural Affairs office of the Stockbridge-Munsee Band of the Mohican Tribe, upon whose lands WAM lives and works.
Harvey is Syilx and Tsilhqot'in with Ancestral ties to the Dakelh, Secwepemc, and Ktunaxa communities. In May 2021, she became the first Indigenous playwright to win Canada’s prestigious Governor General’s Award for English Language Drama. The judges said: “The brilliance, the irreverence, the fire of KAMLOOPA sweeps us into the world of three Indigenous women on a mind-bending quest. The audience is seduced by the love, humour and depth of these matriarchs as they embrace and celebrate who they are in the world and with each other.”
Playwright Kim Senklip Harvey explains: “I created KAMLOOPA to ignite the power that lives within Indigenous femmes and peoples. This transformation story is an offer for all of us to be bold and passionate about having the courage to fully become ourselves.”
Director Estefanía Fadul agrees, stating that: “WAM’s mission of combining arts and activism and creating theatre that centers women could not align more with my own work. I am grateful to call WAM one of my artistic homes and am excited to return to direct Kim’s beautifully visceral play. From the moment I read it, the journey of the three women at the heart of the story, as they struggle to define their identities within a diaspora, resonated deeply with me. It's a story of sisters, of coming into one's own power, and finding one's place within a larger community. It is told with so much joy, heart, and imagination, and I cannot wait to share it with audiences.”
Three Indigenous actors are making their WAM Theatre debuts in KAMLOOPA. Sarah B. Dennison (Soledad at the American Indian Community House in partnership with Carnegie Hall; The Assasination of J Kaaisar at Theatre for the New City), a New York-based actor, writer, and director, originally from the Spokane Reservation, will be playing the role of Kilawna. Jasmine Rochelle Godspeed (Leonora’s World and the touring production of Leonora and Aljehandro in collaboration with Double Edge Theatre) a Massachusetts based Native American actor and playwright from the Nipmuc Nation will be playing Indian Friend #1 (Edith), and Ria Nez (Mother Courage and Her Children and The Last Days Of Judas Iscariot both at the Frederick Loewe Theater), an Indigenous (Nahautl) actress, director and artist based in New York, will play Mikaya.
Returning artists include company dramaturg Tatiana Godfrey; Stage Manager Amanda Nita Luke, who served in the same capacity this season for WAM’s online reading of The Light; and costume designer Calypso Michelet, who was the Assistant Costume Designer for WAM’s 2020 streaming production of ROE. Making their WAM debuts on this production are lighting designer Emma Deane, sound designer Caroline Eng, and costume designer Lux Haac, whose work was last seen in the Berkshires in Barrington Stage Company’s 2018 production of Well Intentioned White People.
For tickets to the live performance or digital stream of KAMLOOPA please call (413) 637-3353 or visit WAM online here. For more information about the 2021 Season and WAM Theatre’s programs, events, and artists, please visit www.WAMTheatre.com.
Exit Seven Players LTD presents The Who's Tommy
October 22, 23, 28, 29, 30 at 8PM and Oct 24, 31 at 2PM
Exit Seven Theater, 37 Chestnut Street Ludlow, MA 01056
Based on the iconic 1969 rock concept album, The Who's Tommy is an exhilarating story of hope, healing and the human spirit. The pinball-playing, deaf, dumb and blind boy who triumphs over his adversities has inspired, amazed and puzzled audiences for more than 50 years. The story is so compelling that it was produced as a world-touring ballet, a campy, over-the-top 1970's movie, then finally brought to Broadway as a brilliant, dramatic reimagination. This five-time Tony Award-winning musical version was translated to the stage by theatrical wizard Des McAnuff into a high-energy, one-of-a-kind theatrical event. With a live rock band on stage, outstanding regional talent, inventive staging, costuming and choreography driving the non-stop action, Exit 7's performance of The Who's Tommy is not to be missed.
Directed by Michael O. Budnick
Music and Sound Supervised by George Garber Jr.
Choreography by Stephanie Gilbert
Instrumental Accompaniment by Cadre Prime
AUDITIONS & OPPORTUNITIES
Smith College Department of Theatre
AUDITIONS: The Thanksgiving Play
by Larissa FastHorse, directed by Jen Olivares
Good intentions collide with absurd assumptions in Larissa FastHorse’s wickedly funny satire, as a troupe of terminally “woke” teaching artists scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month.
Auditions will be by video submission. Get instructional video and sides by emailing Nikki Beck (firstname.lastname@example.org). All submissions due by October 1.
Casting Note: All ages are open and actors that “look white” may be played by POC passing as white.
Female, Caucasian looking, the high school drama teacher that's always pushing the envelope in potentially inappropriate ways. Earnest about theater and proving herself.
Male, Caucasian looking, yoga practitioner/actor. Politically correct to a fault, a big one. He’s that guy everyone loves, but his logical PC thinking takes weird turns.
Female, brunette, Caucasian but has looks that would have been cast as ethnic in 1950’s movies. Without guile. Sexy and hot, but not bright.
Male, Caucasian looking, the academic. Awkward elementary school history teacher with dramatic aspirations but no experience.
WORKSHOPS & CLASSES
Sourcing Self, with Chalia La Tour
Saturday afternoons from 1-4pm EST, starting October 2nd on Zoom.
6 weeks. $445. Open to 12 students. Sign up below!
Sourcing Self is a 6 week intensive on honoring the wealth that is the actor’s unique lived experience as a foundation for empathetic exchange and a basis for infinite imagination. Through monologue and scene work exploration participants will gain tools in personalization, explore the concept of experiential text analysis, and strengthen their ability to use their own humanity to give life to text. The goal is to empower the actor to embrace the fullness of their lived experience paired with their imagination as their greatest asset.
Tuesdays from 11-12pm EST, starting October 5th on Zoom.
Ongoing. $18/Class. $60/Month.
Sign up below.
The Actor's AT Practice Group is a weekly drop-in class designed to support the unique psychophysical needs of actors. We’ll start by settling and organizing the body, letting go of excess tension from the week (or month. or year.) Then, we’ll move through a unique flow of fundamental movement patterns, breath work, & vocal practice in service of opening ourselves to greater flexibility, vulnerability, spontaneity and PLAY.
Classes are rooted in the Alexander Technique, and draw on Dart Procedures, Bartenieff Fundamentals, Gyrotonics, Jessica Wolf’s Art of Breathing, Energetics, Polyvagal Theory, Somatic Experiencing®, and Theatrical Clowning.
Resilience Habits for Busy Parents: The Happiness Experiment
"Resilience Habits for Busy Parents" refills your energy and positivity tank in just minutes each day. Experience 11 evidence-based micro-habits to give you the resilience, mindfulness, and happiness necessary to keep getting shit done without losing your shit.
If you have two minutes a day, you have enough time to do this program.
If you don't have two minutes a day, you really need to do this program!
Best of all, it's fun, engaging, and interactive! Learn wellness and wellbeing practices from professional improv comedian and happiness coach Pam Victor. Based in science. Powered by play.
September 26th at 10:00 AM for the Day 1 Intensive, then spend the next 30 days working on the Happiness Experiment, with a closing event on October 24th at 11 AM!
Happier Valley Comedy Theater (1 Mill Valley Rd, Hadley, MA)
Pricing: $125 (or $99 before September 2nd)
For more info: https://www.happiervalley.com/happiness_tips.html#busyparents
Double Edge Theatre
Fall Intensive: October 8-11 We’ll work daily from morning until night, both in Double Edge’s indoor training spaces and outside in the fields, hills, pond and pastures of the Farm. Layering our physical training practice with music, design, dramaturgy, large object work and individual and group research, intensives are a full-body experience of our multidisciplinary creative process.
The intensives are open to participants of all levels of experience and are ideal for pushing the boundaries of your physicality, creativity, and imagination!
We are continuing to follow MA State Guidelines regarding COVID-19 precautions and safety. Please contact us if you have any questions about our protocols and procedures.