BLACK LIVES MATTER. There is so much work to be done in and by this community. This newsletter is committed to listening, learning, and building a better community with you.
There are so many lists of resources going around - what to read, listen to, or watch to further your education. (if you haven't seen any of the resources going around on social media and would like to, let me know!) Here's a list of plays compiled by American Theatre. If you have additional resources to share, or ideas for how I can best use this platform, I am all ears.
The next issue will include events through July 1. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at email@example.com
The discovery of the photo was both vivid and vague. It happened years ago as I was scrolling online. The photo is of Heiner Müller, an East-German playwright—the intellectual and spiritual heir of Brechtian thought—pouring whisky for Wole Soyinka, a Yoruba playwright born in Nigeria and the first African to win a Nobel Prize for literature. I don’t know much of the context for it but the photo spoke to me as though this thirty-year-old moment had been staged for my benefit: the “Black” playwright and the German aesthete occupying the same space. This gem encompassed my race, my profession, and my perceptions of the gap between the edgy German artist and the Nigerian Nobel Prize winner.
Have you read an interesting article about theatre recently? Send it to me! firstname.lastname@example.org
Happier Valley Comedy Live
June 4 at 8:00 PM
Repeats on Friday (6/5) and Saturday (6/6) at the same time.
You're invited to HVC's virtual comedy theater! At each live show, local improv comedians Pam Victor and Scott Braidman check in about their day, and then improvise for you, often joined by special guests in fantastic improv shows designed specifically for an online comedy format. Just like an in-person show, audiences are invited to participate in the fun. Join the chat on the YouTube live-stream to hang out, give suggestions, and be part of the show! HVC continues their commitment to using comedy to bring people together through laughter and community with "Happier Valley Comedy LIVE!" every Thursday, Friday, and Saturday at 8pm.
This week's improv show line up includes "We Made A Thing" on 6/4, "HVC QVC" on 6/5, and "Sawk's 'n' Sandle's Short Form Improv Comedy" on 6/6!
Real Live Theatre presents a "Zoom-staged" reading of their beloved original piece The Lion & The Clown: A Rumi Lovesong for Beauty & the Beast. A play filled with magic, beauty, obscenity, grief, and deep abiding love. As audiences said after its premiere in 2014 and again during its tour in 2015: "I really needed that." Come feel the hope with us.
Featuring a reunion of original cast members: Kate Hare, Dan Morbyrne, Mike Pray, Trenda Loftin, Alberto Carlos Peart, Rachel Hall, Toby Vera Bercovici, Lucy Gouvin, and Syl Simmons. Written & directed by Ellen Morbyrne. Original music by Cynthia Zaitz, PhD.
K and E Theater Group Presents Local Spotlight Series this Summer!
K and E Theater Group is excited to present its LOCAL SPOTLIGHT SERIES on Facebook, IGTV and YouTube celebrating Pioneer Valley’s theater artists. KETG Artistic Director Eddie Zitka hosts the summer series streaming online every Tuesday and Friday starting on May 26th and through the rest of the summer!
June 4 ‘Coriolanus’ by William Shakespeare, starring Tom Hiddleston.
SILVERTHORNE THEATER ANNOUNCES 2020 THEATER THURSDAY PLAY READING SERIES
Following up on its highly successful Theater Thursday play reading series last year, Silverthorne Theater Company will take advantage of the use of online streaming to bring three new plays to the Valley and beyond this summer through the 2020 Theater Thursday Play Reading Series. All three plays in this year’s series will be streamed free to Silverthorne’s Facebook page and will feature live discussions with the playwrights following the readings. The series is funded in part by the Massachusetts Cultural Council through the generous support of the Greenfield, Hadley and Buckland Cultural Councils.
The first in the series is Daniel Elihu Kramer's Pride@Prejudice, an online reimagining of the classic Jane Austen novel, directed by Chris Rohmann. The reading will be streamed on on Silverthorne’s Facebook page and YouTube channel on Thursday, June 18 beginning at 7 pmEDT. There is no charge to view the reading. Viewers can visit https://www.facebook.com/silverthornetheater/ to access the performance.
Following the reading, playwright Kramer will join the cast and director to talk about the play. Kramer says, "I'm excited to see Pride@Prejudice in this online setting. The internet combined with Jane Austen's brilliance inspired this script in the first place, so it feels like Chris Rohmann and Silverthorne are bringing the play full circle."
About the play: Elizabeth Bennet and Mr. Darcy fall in love all over again -- this time filtered through the world of the internet. Modern students in a FaceTime group discuss and build on this classic love story while acting it out, interjecting questions and opinions, quotes from movie versions, and even letters from Ms. Austen herself, to create a delightfully postmodern view of 19th century England. With five actors playing 22 roles, Pride@Prejudice is a unique and hilarious homage to Austen's most beloved novel, and to our love affair with reading. Available online only on STC's Facebook page or YouTube channel.
Daniel Elihu Kramer became Producing Artistic Director of Chester Theatre Company in fall of 2015, after four years as Associate Artistic Director, and produced his first season in 2016.. In 2011, CTC produced Pride@Prejudice which transferred to Capital Rep in 2012. He works nationally as a theatre director and playwright, and as a film director. He is Professor of Theatre and a member of the Film and Media Studies program at Smith College.
On Thursday, July 16, the second Theater Thursday play will be read as a co-production with the Chester Theatre Company and will be directed by CTC’s Danial Elihu Kramer. Northampton playwright Darcy Bruce’s Soldier Poetis a prize-winning piece that was premiered by Theatre Prometheus in 2017 at the Anacostia Arts Center in Washington D.C. The play centers on a gripping and timely story. In Aleppo two American Army Rangers rescue an injured Syrian woman about to give birth. At a nearby hospital, a neonatal nurse with an unwavering sense of duty struggles to save the lives of infants as her hospital is bombed.
The final 2020 Theater Thursday play, which streams on Thursday, August 20, is written by Northampton playwright, James McLindon – Distant Music. Penney Hulten directs this complex piece set in January 2000. On a snowy night in an Irish pub in Cambridge, Massachusetts, Connor, Maeve and Dev meet, each agonizing over an irrevocably life-changing decision. The three fight over religion and beer, whether truth exists at all, the differences between the Irish and Irish-Americans, the many failings (according to Dev) of the latter, and, finally, the capacity of stout to explain, metaphorically and metaphysically, most of life. The play, winner of numerous awards, has been produced across the country and is published by Dramatic Publishing. The playwright will join in for a live post-show talk about the play.
SILVERTHORNE THEATER PRESENTS COMEDY LIVE (ALMOST!): An Evening with Ruth Draper Monologues
Silverthorne Theater Company will present a virtual live performance of comedy with An Evening with Ruth Draper via the LAVA Center in Greenfield on Friday, June 26, at 7:00 pm.
An inspired social satirist of the 1920s and beyond, Ruth Draper captivated audiences around the world with her one-woman monologues, often poking fun at the foibles of the bon vivant. Draper created whole casts of characters who would join her on stage, yet only in her – and the audience’s – imagination.
Actor Penney Hulten of Northfield will inhabit the world of Draper in two of her most delightful comedic monologues, The Italian Lesson and Doctors and Diets. The virtual fundraiser for Silverthorne Theater was an inspiration by Hulten, a 2009 graduate of the Ada Comstock Program at Smith College where she earned her bachelor’s degree in Theater. Coincidentally, Ruth Draper earned an honorary degree of doctor of humanities at Smith College in 1947.
A native of the San Francisco Bay Area, Hulten has been involved with Silverthorne Theater since 2017 in myriad capacities including gala planning, admin support, and even modeling for a recent costume fashion show. Her most enjoyable assignment, she says, was assisting backstage with quick costume changes for GREATER TUNA in 2018.
“They say drama is easy and comedy is hard,” says Hulten. “For me it is the other way around. I’m always at my happiest when I can make people laugh. During the Great Depression film makers such as Busby Berkeley created films to bring spectacle and distraction from everyday life to audiences suffering from the aftershocks of the stock market crash. I hope to bring some comic relief to those of us struggling with the current pandemic and other concerns.”
Hulten’s early influences include Lucille Ball, Barbra Streisand, Carol Burnett, Katherine Hepburn and Gilda Radner. “I learned from these women that it was alright to be an attractive, independent, intelligent woman and yet do comedy that pokes fun at oneself. As a matter of fact, I found them more appealing for having done so. To be able to laugh at ourselves – and the human condition – is a gift to others letting them know it’s okay to be our own totally human selves: flawed, silly, hypocritical, klutzy, fearful, hilarious – all of it!”
Draper had her own sense of the absurd, yet never made fun with her characters. “Everybody is rather ridiculous, rather pitiful,” she said. Yet there isn’t any malice or acerbity in her portrayals. She is sympathetic to people while at the same time sublimely pointing out their inherent shortcomings. Audiences can see themselves – their neighbors, family members – in her characters. Draper’s alternating comedy and pathos in her tales evokes a knowing solace and understanding that comforts as well as entertains.
An internationally acclaimed diseuse (a woman who is a skilled and usually professional reciter), Ruth Draper was born in 1884 in New York City. She began displaying her talents early, delighting her siblings by imitating the adults in their lives. Later, she began giving monologues at private parties and schools. In 1920 she made her professional debut at London’s Aeolian Hall. Her skits, as she called them, and her proclivities expanded as she extended her cast of characters.
Creating her own original material while keeping it all in her head, she entertained audiences around the country and around the world; most notably to King George V and Queen Mary of Britain, as well as the royal families of Spain and Belgium. World renowned artist John Singer Sargent created charcoal portraits of her, and she was a favorite among actors such as Katherine Hepburn, Helen Hays, Sarah Burnhardt, and Laurence Olivier. Shunning interviews, she disliked publicity yet filled theaters for runs on Broadway, in the West End and the like. Draper continued acting into her 70’s and died in her sleep after a performance in 1956 during the run of a Broadway engagement.
Henry James was a friend of the Draper Family, and Ruth asked him if she should pursue a career as a professional actress. He said to her, “No, my dear child. You have woven your own beautiful little Persian carpet. Stand on it.”
Draper brought humor and magic to her patrons, and Hulten hopes to bring some of that same enchantment to local audiences via Facebook Live. Hulten says, “Laughter is the best medicine, so I invite you for a spoonful. Broadway character Auntie Mame said, ‘Life is a banquet and most poor suckers are starving to death.’ I say – come to the table and feast!”
Ten nights in June, ten short plays from Boston-area playwrights. This year, Playwrights' Platform is presenting its annual festival virtually. The festival will also serve as a fundraiser for the Theatre Community Benevolent Fund, which provides support to theatres and theatre artists in need. The festival will present one play each evening at 7:00 pm, followed by a Q&A with the playwright. Festival lineup for week one:
Live from Copley Square
by Johnnie Dun
directed by Katie Suchtya June 4
by Carolyn Palo
directed by Ann Garvin June 5
by David Beardsley
directed by Shira Gitlin June 6
Home for the Holidays
by Karla Sorenson
directed by Sally Nutt June 7
Real Live Theatre presents The Lion and the Clown
written and directed by Ellen Morbyrne
original music by Cynthia Zaitz, PhD
Friday, June 5
Real Live Theatre presents a live Zoom reading of their beloved original piece, The Lion & The Clown: A Rumi Lovesong for Beauty & the Beast. A play filled with magic, beauty, obscenity, grief, and deep abiding love. Mature content, not intended for children. Stream here.
In State vs Natasha Banina, based on Natasha’s Dream by Yaroslava Pulinovich, a girl tells the story of her life in a small-town orphanage, and of her desire to be free. From the inside of a “ZOOM” court room, she will make twists and turns through her unique appeal to audiences as the jurors, letting them into her world where she dreams about love, family, acceptance, adjusting, and her future. Ultimately the two worlds collide and you get to decide her fate. RSVP here.
Markey and Pete are unlikely friends, the studious Markey with dreams of college and a life beyond the Southeastern Pennsylvania countryside, and the volatile Pete with drunkenly crafted fantasies about being the next Kurt Cobain. Brought together by shared feelings of alienation in their mostly white and more than vaguely racist little town an hour and a half from Philly, the boys’ relationship fractures when Markey announces to Pete that he’s hoping to graduate early and get out of the styx ASAP. We see these two boys first at that critical juncture, and then almost ten years later after they are reunited in the wake of a startling event that dredges up a connected trauma from their past. Stream here.
First created as an immersive walking play through the Medfield State Hospital grounds, the play portrays the Medfield State Hospital in its many facets - not only a place where patients went for psychiatric care, but also where community members attended an annual Harvest Ball, young lovers went to movie screenings in the chapel, and youngsters competed in Little League games. This online presentation features a new scene about the 1918 flu pandemic, and a movement piece adapted for viewing on computer screens. RSVP here.
Playwright Thom Dunn has chosen "Hearts Taped to Window Panes & Sounds Previously Unnoticed” as the themes for week five. To stream some of the creative writing that this theme inspired, or to watch performances of writing from previous weeks, click here.
After a teenage runaway and a swerving mom crash into each other on Christmas Eve, the night ahead is anything but silent. An unorthodox holiday parable. Listen to the podcast.
MAJESTIC THEATER ANNOUNCES REOPENING PLANS West Springfield Venue Plans to Resume Performances in January, 2021
West Springfield's Majestic Theater, which was temporarily closed on March 14 in response to COVID-19 safety guidelines, has announced its reopening plan.
According to Producing Director Danny Eaton, the theater will resume performances in January 2021. “There are so many unknowns at this time, but listening to our local and state leaders we have planned out a schedule we think is reasonable and hopefully achievable. We want to make sure our subscribers and patrons will feel safe coming back to the Majestic Theater,” he said.
The first production will be a three-week run of The Pitch, the drama that was in mid-run when the theater was closed in March. The closing occurred when the play had three weeks left on its schedule. Eaton noted that “All current ticket-holders for The Pitch, even those who generously donated their tickets to the Majestic, will be able to see this show when it returns in January.”
Following The Pitch, Eaton will produce an abbreviated season before the Majestic's summer 2021 lineup takes place. The rest of the season will include:
Murder for Two (February 11 – March 21); a musical comedy whodunit
Betty & The Patch (April 1 – May 9); a new original play by Danny Eaton
9 to 5 (May 20 – June 27); the musical comedy originally scheduled for May 2020 (ticket-holders for this show will also see their tickets honored for new dates in 2021)
In addition, the St. Patrick's Day-themed productions that were canceled in the wake of the pandemic have been rescheduled for 2021. They are:
Craig Eastman (March 9); live music
Bo Fitzgerald & The Yank Celt Band (March 15); live music
Misgivings (March 16); one-man comedy
Eaton noted that people who were current ticket-holders for the St. Patrick's shows would also be able to have them honored for the rescheduled dates in 2021.
Following the close of 9 to 5 in June 2021, the Majestic will present summer concerts and the Majestic Children's Theater lineup as well.
Eaton announced that the Majestic Theater box office is scheduled to reopen on August 3, 2020. Staff will be able to sell tickets over the phone, but the box office will not be open for walk-in customers at that time. Transactions will not be possible before August 3, as business machines required for selling tickets are located on-site.
In the interim, the Majestic has been presenting online programming at majestictheater.com. Behind the Curtain at the Majestic is an hour-long live program in which Eaton interviews a Majestic veteran performer about their onstage experiences. The show had previously run on Sundays at 2:00 p.m., but will switch to its new time slot of Thursdays at 7:00 p.m. effective June 4. On Sundays, at 7:00 p.m., Majestic Children's Theater Director Stephen Petit gathers the cast of a previous Children's Theater show to discuss that particular play and take questions from the online audience. The play in question is posted online a week prior to the show for free viewing. Both Behind the Curtain and the Majestic Children's TheaterShow are archived and available for free viewing at majestictheater.com, where visitors will also see the upcoming show topics and interviewees.
In response to the global COVID-19 pandemic, the Playwrights’ Center is taking action to connect people with their communities and create income streams for theater artists who are out of work. We're pleased to announce an entirely new, online Spring 2020 Season.
This spring, Playwrights' Center will feature regular weekly programming of new play readings; seminars, classes, and workshops taught by playwrights; two weekly feature articles written by playwrights; open conversations and panels with playwrights and theater practitioners; Member Open Play events, where writers read each other's plays aloud and respond with constructive feedback; New Plays On Campus sessions for educators and students interested in playwriting; Writing Room Lunch Breaks where playwrights can come together to work; and open office hours with Playwrights’ Center Artistic and Membership staff, giving people a chance to connect, ask questions, and discuss best practices.
The Play Reading Co-op is currently seeking submissions of full length plays from New England writers for a monthly, ongoing reading series. The mission of the co-op is simply for local theater makers to have a chance to get in a room together to work on high quality material for our own learning, enjoyment, and camaraderie. It's also a great way to learn about new works and writers. The reading is intended to be informal and without an audience other than other co-op “members” and potentially a friend or colleague(s) of the writer. If the writer is looking for a discussion or feedback afterward, we are happy to make space for that as well. We are ideally looking for plays with at least 2 female identifying roles.
We also launched a Go Fund Me page to raise additional funds toward this effort, beyond the $10,000 that ECA has contributed. And because River Valley Coop is generously matching all donations through this platform, up to $5,000, we have a tremendous opportunity to -- all together -- distribute a total of $20,000 to our community of artists in the months to come. We've raised $1,600+ so far through our Go Fund Me page -- and we still have a ways to go. Any assistance with sharing this link through your channels would be a wonderful help. There is also additional info in this Gazettearticle as well.
In response to the many high school students who lost their opportunity for final performances, recitals, and art offerings due to Covid 19 Eggtooth shares an opportunity for their creative work to be celebrated widely.
Request for Proposals from Eggtooth Productions
Eggtooth Productions is committed to supporting the next generation of artists. Whenever possible, Eggtooth will look to fund well-developed proposals from artists 18 years old and younger. In these uncertain times where opportunities have been taken away, we offer Valley-area youth artists in all mediums an invitation to share their work. Eggtooth will offer 10 selected young artists $50 to support their work. Deadline for Proposals is June 5, 2020 at 5 pm with submissions to: email@example.com .
All submitted proposals should include the following:
a title for the project
artist contact info (email, phone, website, etc)
a clear description of the work to be made/conducted
your goals for this new work as it pertains to the COVID-19 crisis
Special consideration will be given to work that does any of the following:
is innovative in its approach
has potential to impact a wide audience
supports the recovery or replacement of artistic events/projects lost due to the crisis
selected work will be shared, whenever possible, online and on social media via Eggtooth Productions
artists may work in any medium or combination of media
grant funds may be used in any way selected artists see fit
Digital images: submit high-quality jpgs of 300 DPI or greater
Video: 10 minutes max. Work should be shared via Vimeo or YouTube
Written word (performed or read online): 1000 words max.
Live performances should consider all social distancing and other health guidelines
Sound artists and musicians no longer than 5 minutes. Format: MP3, YouTube, or Vimeo.
Arts events, concerts, and productions have been cancelled in cities across the nation due to the effects of COVID-19. Artists, musicians, and performers whose livelihoods are dependent on these events are facing insurmountable loses.
Now is the time to give back to the artists and performers who contribute so much to the quality, vibrancy, and enjoyability of our lives and culture.
We are collecting donations to support artists in our community who have been directly impacted by this global heath crisis. The funds raised here will be distributed as relief grants to eligible artists and arts organizations.
We invite members of the community to donate to our artist relief fund via GoFundMe.
As part of "How We Are Responding" to the current health pandemic and the impact it's having on our beloved theatre community, we at TCG are extending complimentary postings of temporary / flexible / tele-commuting positions (artistic AND non-artistic) on ARTSEARCH®.
This opportunity is open to ALL, in support of theatre-makers looking for immediate temporary work to alleviate the financial crisis that has resulted from the spread of the virus.
The Northampton Arts Council is now accepting performer applications for First Night Northampton 2021.
On Thursday December 31, 2020 the Northampton Arts Council will present the 36th annual community New Year’s Eve celebration and festival of performing arts. Since 1985, First Night Northampton has filled the Paradise City with a 12-hour family-friendly festival of the arts, culminating in a traditional ball-raising from the roof of the Hotel Northampton. Proceeds from First Night Northampton will benefit local artists and community arts activities.
We look forward to receiving many proposals and to creating a diverse, exciting, family-friendly event. Complete and submit the application no later than August 31, 2020. Proposals are reviewed as they are received, so early applications are recommended. Please submit separate applications for each proposal. Proposals without support materials will not be reviewed. We will be notifying applicants at the end of September. To apply to perform at First Night Northampton please complete the online application which can be found here.
A Designer’s Workshop with John Bechtold
email firstname.lastname@example.org to register
In this three-hour workshop, participants will explore a space of their choosing to develop it as a theatrical landscape. Using methods culled from leaders in the immersive theater movement and his own creative process, John’s workshop will give you some engaging tools to re-lens the world around you in the spirit of site-sensitive design while working with a cohort of fellow participants.
Date/Time: Saturday, June 13, 10am-1pm. Rain date: Saturday, June 20
Cost: $40 per participant
This workshop is intended for actors and theater designers with an interest in immersive and site-specific theater. The tools we will be using are accessible to anyone interested in this kind of work, regardless of experience.
Using Zoom as our primary means of connection, participants should plan to meet on location in a personally-engaging outdoor space you can play around in. It doesn’t need to be vast, but ideally has some variation. For many, this could simply be your backyard or similar. A nearby common or park might do nicely, too! Reliable internet for Zoom is a must.
We will spend much of our time meeting on-screen as a group at the beginning before breaking off into our spaces to conduct exercises that will set up each participant to develop a project of their own. We will convene at the end of this session to share and discover what we’ve found - and where to go next.
Materials you’ll want: a favorite notebook and writing utensil, your phone, and a pair of headphones.
John has been making immersive theater since 2010, most frequently with Eggtooth Productions. Having built his skills with immersive giants Punchdrunk on their award-winning Sleep No More in Boston and New York, John’s productions across the region have taken myriad forms. The core of his approach comes from the relationships he makes with the spaces his work inhabits.
Recent productions include work at the Hawks & Reed Performing Arts Center, The Emily Dickinson Museum, the Shea Theater, and Chester Theatre Company, among others. John is the head of the Performing Arts program at the Amherst Regional Schools and DASAC, a progressive summer arts program at Deerfield Academy. In 2020, he was named the Children’s Theatre Foundation of America’s Robertson Award winner, a national honor given to a high school theater teacher once every two years. Website: bit.ly/johnbechtold
Being Self with Joe Dulude II - email email@example.com to register
Being self is a unique online camp experience for LGBTQ+ kids ages 15-18 that runs from August 10-14, 2020 from 1:00-4:00 pm at a cost of $100.
Each day will be a 2-3 hour session involving theatre, self-discovery and artistic activities. The goal of the camp is to help young people discover who they are in this moment and who they would like to become.
All activities lead to a final video project where campers will record a documentary of who they are. These videos will be edited together into a short film which will be shown on Eggtooth Productions website.
The camp will be led by Joe Dulude II, himself a member of the LGBTQ+ community. Joe has worked the last 8 years as a Program Director for Camp Highlight and has developed several workshops on identity.
Joe Dulude II is probably best known for his Broadway, Off-Broadway and West End makeup designs on such productions as Wicked, Beetlejuice, Spongebob Squarepants the Musical, Torch Song, Sunday in the Park with George, Anastasia, Sweet Charity, Holiday Inn, Allegiance, Dr. Zhivago, On the Town, If/Then, Beautiful, The Wedding Singer, Grease!, Follies, Jekyll & Hyde and many more.
Joe is also a fine artist, showing work in NYC and his current home in western MA, performing artist and drag queen, having created the character of Mr Drag with his good friend Kat playing his associate, Karl.
THE PIONEER VALLEY LAUGHING CLUB
Saturdays from 1-2pm, starting May 9th
Completely Ridiculous Productions and The Northampton Center for the Arts would like to welcome you to the Pioneer Valley’s one and only Laughing Club!
In this weekly meetup we will gather together for an hour on zoom, introduce ourselves, warm up our bodies, have some fun and laugh ‘til it hurts.
Because we believe it is important to remind ourselves that it's ok to live in a happy body and laugh uproariously, especially in such crazy and chaotic times.
But seriously, Why?
Because laughter is a necessary survival skill, that's why. Also, super serious people like Doctors, Ministers and Therapists all around the world say that laughter strengthens the immune system, purges toxins, burns calories, works as a natural anti-depressant and keeps us resilient, happy and healthy! Laughter is the Best Medicine after all - and it's FREE!!
The PVLC is open to any and everyone, and just like going to the gym or taking a yoga class, there is nothing performative about it. However, a sense of humor will most certainly help - so be sure to bring yours along!
Each session is $15 suggested donation benefitting both the NCFA and Completely Ridiculous Productions. To sign up, please email
What in the what is Completely Ridiculous Productions?
CRP is a performance laboratory/training center dedicated to professional actor training, developing and producing new works of physical comedy, and strengthening each individual’s Empathic Vulnerability - the willingness to fully see and be seen by an other, while staying open to the possibility of being changed.For more information visit the website.
And who the heck is running this thing anyway?
Professional Laugher since birth, Gabe Levey is an actor/theatre maker who recently moved back to Northampton. In addition to running workshops and producing shows in the valley, Gabe teaches Physical Acting, Clown, Clown to Text and Shakespeare Performance at NYU, Tisch School of the Arts. Founding Artistic Director, Completely Ridiculous Productions. MFA, Yale School of Drama.